These bodies are already dehumanized in our society and culture fetishizing them is extremely problematic because it adds to their dehumanization.” She went onto emphasize exactly why fetishes for body types are harmfully different than those for body parts. For example, racial fetishes are quite widespread. Disability fetishism is not the only form of fetishism which focuses on fetishizing marginalized bodies. There are also degrees of power play, and devotee culture, to me, feels like a very unsettling form of power play. She added that, as a member BDSM culture, she had no problem with fetishes, but that, “there’s a difference, for me, between, say, a leather fetish or a high heel fetish and a fetish for a particular type of body. “It plays into a lot of complex social issues from bodily autonomy for people with disabilities to inherently unequal power dynamics,” disabled writer S.E Smith explained in a post on the issue for FWD/Forward. So, how do disabled people feel about their disability being the source of someone else’s pleasure? While there’s a valid argument to be made defending and preserving the depoliticised nature of sexual preferences, we can never escape the fact that – unless your partner is one of those haunted-looking sex dolls – there’s a human body with human feelings attached to whatever aspect of it you’re getting turned on by. He then seeks to cure Shirotani – or at least ease the severity of his condition to help him live a more normal life – through exposure therapy. By a chance encounter, Kurose crosses paths with secretary Shirotani Tadaomi and quickly recognizes the condition exists in him. In the manga, we meet Kurose Riku, a counselor with a special interest in people with extreme mysophobia, also more colloquially known as “germophobia”, which, among other things, can make sufferers terrified of physical contact with others. But, as well as making little effort to dodge the familiar trappings of yaoi, Ten Count adds yet more fuel to the fire by exposing readers to another problematic fetish in an already problematic genre. Though manga fans out of the fujoshi-loop won’t have heard of it, one of the genre’s most popular hits of recent years, Rihito Takarai’s Ten Count, has gripped readers with a dark and psychologically complex tale of sex, fear and exploitation. These are problems that, as a trash-loving fujoshi myself, I’ve written about in the past. Though it has its champions-self-defined as ‘ fujoshi‘ (or ‘rotten girl’)-the genre has been heavily criticized for both its misogynistic representation of women (or total lack thereof) and the fetishizing of queer men that sadly seems to come part and parcel with most hetero-appropriation of LGBTQ culture. So that’s kind of badass.Seeing the word ‘ yaoi‘ (or ‘boys love’) will doubtless send off alarm bells in the minds of both feminist and LGBTQ folk alike who are familiar with manga and anime. Because back then, pre-most-internet, it was a lot harder to get any visibility at all. There were some activists who intentionally played into the tropes the shows were looking for in order to get on camera and raise awareness/visibility, even if it was in this bonkers context.
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(And then a family member came out shortly thereafter I very awkwardly told my parent on that side that I knew about gay people, I didn’t need ‘A Talk.’) I felt bad about that for a while, since that situation was so exploitative, but then I learned an interesting fact. I did at least absorb the fact that gay men, lesbians, and trans women existed I would learn about bi people and trans men later, as well as everyone else. I don’t remember exactly what show or topic, but I remember that’s how I learned: from some overdramatic talk show, like ‘My Husband Left Me For a Man and Now I’m Carrying Their Baby’ or whatever. “So, back when I was a kid, there were a lot of daytime talk shows-some considered themselves higher-class than others, and some were super exploitative and stirred up drama on purpose.
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I remember being so sad and confused when she told me about all the backlash about it, ‘cause I saw nothing wrong with it.” A tabloid talk show Luckily, my mom explained it to me in a super nice, non-homophobic way, and I saw it as nothing wrong and normal. I was about 9 at the time, and I can say I was honestly shocked ‘cause of how young I was, but not disgusted, more confused. “Mine was when Adam Lambert kissed one of the background dancers or musicians (I don’t exactly remember) at the AMAs.